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Justicia a contraluz. Imágenes sobre derechos humanos en Colombia. Backlit justice. Images of human rights in Colombia

César Rodríguez Garavito (Director General)

Ediciones Uniandes ·Colombia
Impreso ISBN 9789586954488

Licencia de minería de texto y datos

Declarado por la editorial el 25 septiembre 2026 a las 22:19:07 UTC

Uso no permitido para minería de datos y textos
Impreso 9789586954488 Reserva de derechos en la declaración de copyright (español, inglés y portugués)

El titular de derechos se reserva expresamente sus derechos de reproducción, extracción y reutilización para fines de minería de textos y datos (TDM) y de entrenamiento de modelos de inteligencia artificial, de conformidad con el Art. 4(3) de la Directiva (UE) 2019/790, el Art. 53(1)(c) del Reglamento (UE) 2024/1689 (AI Act), el Art. 13 del Acuerdo ADPIC/TRIPS de la OMC, la Decisión Andina 351 de 1993 y las leyes nacionales aplicables en los territorios de residencia del titular, de realización de la reproducción y/o comercialización del Large Language Model u otro tipo de IA resultante.

Esta reserva cubre toda reproducción digital de la obra con independencia del soporte de la copia de origen (impreso o digital) y es efectiva desde la fecha certificada de esta declaración.

En América Latina, donde no existe excepción legal para el entrenamiento de IA, esta declaración constituye evidencia pública de que el titular no ha otorgado autorización. En la Unión Europea, activa la reserva máquina-legible exigida por el Art. 4(3) CDSM y el Art. 53(1)(c) AI Act. En Estados Unidos, señaliza la existencia de un mercado de licencias TDM a efectos del factor 4 del análisis de fair use.

Cualquier uso de la obra para los fines aquí reservados requiere autorización previa y expresa del titular de derechos.

Sello de integridad

Declaración sellada
Sellado de tiempo (RFC 3161) TSA · 25 sep. 2026, 22:19:07 UTC
ISCC (ISO 24138) ISCC:AAAVDQ3XRU3RQQO5
Titular Ediciones Uniandes

Formatos

FormatoISBNRecordreferenceDOIAño
Impreso 9789586954488 SIMEHPRINTOGBW3OR1BTI2H43SG91G — 2009

Sobre esta obra

Esta publicación reúne las 100 obras más importantes que participaron en la convocatoria para el Concurso Nacional de Fotografía sobre Derechos Humanos , incluyendo las tres que fueron premiadas y las que recibieron menciones de honor. Incluye, además, las tres obras ganadoras del concurso de fotografía que, inspirado en este proyecto, realizó simultáneamente el British Council en el Reino Unido.Por otra parte, el concurso buscaba hacer visible la manera como mujeres y hombres de distintas clases, regiones y oficios conciben y expresan diversas visiones de los derechos humanos. Los textos que acompañan cada imagen corresponden a la opinión y sentimientos expresados por los fotógrafos, en sus propias palabras. Se trata de testimonios elocuentes y directos que se enfrentan al reto de darle sentido a hechos que con frecuencia superan la razón. Cada foto encierra una historia, revela la intención de quien se decide a atrapar un instante de la realidad y formula una invitación directa a todos los lectores para interpretar y reflexionar sobre la imagen.***This publication brings together the 100 most powerful Works that submissions organized the National Human Rights Photography contest , including three which received awards and those that received honourable mentions. It also includes the three winning pieces from the photography contest which, inspired by this project, the British Council conducted simultaneously in the United Kingdom.Additionally, the contest sought to draw attention to the way in which women and men from different economic classes, regions, and professions conceive and express different visions of human rights. The texts that accompany each image correspond to the opinions and sentiments expressed by the photographers themselves, in their own words. They are direct and eloquent statements, which meet the challenge of making sense of facts that are often beyond reason. Each picture contains a story, reveals the intent of the person who decided to catch moment or reality and extends a direct invitation to all readers to interpret and reflect on each image.Justicia a Contraluz, incluyendo las tres que fueron premiadas y las que recibieron menciones de honor. Incluye, además, las tres obras ganadoras del concurso de fotografía que, inspirado en este proyecto, realizó simultáneamente el British Council en el Reino Unido.Por otra parte, el concurso buscaba hacer visible la manera como mujeres y hombres de distintas clases, regiones y oficios conciben y expresan diversas visiones de los derechos humanos. Los textos que acompañan cada imagen corresponden a la opinión y sentimientos expresados por los fotógrafos, en sus propias palabras. Se trata de testimonios elocuentes y directos que se enfrentan al reto de darle sentido a hechos que con frecuencia superan la razón. Cada foto encierra una historia, revela la intención de quien se decide a atrapar un instante de la realidad y formula una invitación directa a todos los lectores para interpretar y reflexionar sobre la imagen.***This publication brings together the 100 most powerful Works that submissions organized the National Human Rights Photography contest , including three which received awards and those that received honourable mentions. It also includes the three winning pieces from the photography contest which, inspired by this project, the British Council conducted simultaneously in the United Kingdom.Additionally, the contest sought to draw attention to the way in which women and men from different economic classes, regions, and professions conceive and express different visions of human rights. The texts that accompany each image correspond to the opinions and sentiments expressed by the photographers themselves, in their own words. They are direct and eloquent statements, which meet the challenge of making sense of facts that are often beyond reason. Each picture contains a story, reveals the intent of the person who decided to catch moment or reality and extends a direct invitation to all readers to interpret and reflect on each image.Por otra parte, el concurso buscaba hacer visible la manera como mujeres y hombres de distintas clases, regiones y oficios conciben y expresan diversas visiones de los derechos humanos. Los textos que acompañan cada imagen corresponden a la opinión y sentimientos expresados por los fotógrafos, en sus propias palabras. Se trata de testimonios elocuentes y directos que se enfrentan al reto de darle sentido a hechos que con frecuencia superan la razón. Cada foto encierra una historia, revela la intención de quien se decide a atrapar un instante de la realidad y formula una invitación directa a todos los lectores para interpretar y reflexionar sobre la imagen.***This publication brings together the 100 most powerful Works that submissions organized the National Human Rights Photography contest , including three which received awards and those that received honourable mentions. It also includes the three winning pieces from the photography contest which, inspired by this project, the British Council conducted simultaneously in the United Kingdom.Additionally, the contest sought to draw attention to the way in which women and men from different economic classes, regions, and professions conceive and express different visions of human rights. The texts that accompany each image correspond to the opinions and sentiments expressed by the photographers themselves, in their own words. They are direct and eloquent statements, which meet the challenge of making sense of facts that are often beyond reason. Each picture contains a story, reveals the intent of the person who decided to catch moment or reality and extends a direct invitation to all readers to interpret and reflect on each image.***This publication brings together the 100 most powerful Works that submissions organized the National Human Rights Photography contest , including three which received awards and those that received honourable mentions. It also includes the three winning pieces from the photography contest which, inspired by this project, the British Council conducted simultaneously in the United Kingdom.Additionally, the contest sought to draw attention to the way in which women and men from different economic classes, regions, and professions conceive and express different visions of human rights. The texts that accompany each image correspond to the opinions and sentiments expressed by the photographers themselves, in their own words. They are direct and eloquent statements, which meet the challenge of making sense of facts that are often beyond reason. Each picture contains a story, reveals the intent of the person who decided to catch moment or reality and extends a direct invitation to all readers to interpret and reflect on each image.This publication brings together the 100 most powerful Works that submissions organized the National Human Rights Photography contest , including three which received awards and those that received honourable mentions. It also includes the three winning pieces from the photography contest which, inspired by this project, the British Council conducted simultaneously in the United Kingdom.Additionally, the contest sought to draw attention to the way in which women and men from different economic classes, regions, and professions conceive and express different visions of human rights. The texts that accompany each image correspond to the opinions and sentiments expressed by the photographers themselves, in their own words. They are direct and eloquent statements, which meet the challenge of making sense of facts that are often beyond reason. Each picture contains a story, reveals the intent of the person who decided to catch moment or reality and extends a direct invitation to all readers to interpret and reflect on each image.Justicia a Contraluz, including three which received awards and those that received honourable mentions. It also includes the three winning pieces from the photography contest which, inspired by this project, the British Council conducted simultaneously in the United Kingdom.Additionally, the contest sought to draw attention to the way in which women and men from different economic classes, regions, and professions conceive and express different visions of human rights. The texts that accompany each image correspond to the opinions and sentiments expressed by the photographers themselves, in their own words. They are direct and eloquent statements, which meet the challenge of making sense of facts that are often beyond reason. Each picture contains a story, reveals the intent of the person who decided to catch moment or reality and extends a direct invitation to all readers to interpret and reflect on each image.Additionally, the contest sought to draw attention to the way in which women and men from different economic classes, regions, and professions conceive and express different visions of human rights. The texts that accompany each image correspond to the opinions and sentiments expressed by the photographers themselves, in their own words. They are direct and eloquent statements, which meet the challenge of making sense of facts that are often beyond reason. Each picture contains a story, reveals the intent of the person who decided to catch moment or reality and extends a direct invitation to all readers to interpret and reflect on each image.

Editorial

Ediciones Uniandes · Colombia

Año de publicación

2009

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